Archive for the ‘Hollywood’ Category

by Adam Baldwin and Liberty Chick

UPDATE: UW-Stout has retreated.  “…Therefore, UW-Stout has reconsidered its decision to remove the two posters from outside the professor’s office, meaning he can display them if he so chooses.”  Popehat has the analysis.

The First Amendment to the U.S. Constitution is one of America’s most sacred freedoms and our public universities often among its staunchest defenders.  But at the University of Wisconsin-Stout (UWS), it seems this sacred freedom is in the eye of the beholder.

UWS theater professor Dr. James Miller is relatively new to the short-lived, now cult hit TV series “Firefly.”  Some of his students are loyal fans and asked Dr. Miller to check it out for himself. He liked it enough to hang a Firefly poster on his office door. Given its remote location in the theater wing, where mostly only theater students would see it, who would have expected the poster to cause such a firestorm?

Foundation for Individual Rights in Education (FIRE) reports:

On September 12, 2011, Professor Miller posted on his office door an image of Nathan Fillion in Joss Whedon’s sci-fi series Firefly and a line from an episode: “You don’t know me, son, so let me explain this to you once: If I ever kill you, you’ll be awake. You’ll be facing me. And you’ll be armed.” On September 16, UWS Chief of Police Lisa A. Walter notified Miller that she had removed the poster because it “refer[s] to killing.” After Miller replied, “respect my first amendment rights,” Walter wrote that “the poster can be interpreted as a threat.” Walter also threatened Miller with criminal charges: “If you choose to repost the article or something similar to it, it will be removed and you could face charges of disorderly conduct.”

In response to Walter’s censorship, Miller placed a new poster on his office door on the 16th. The poster read “Warning: Fascism” and mocked, “Fascism can cause blunt head trauma and/or violent death. Keep fascism away from children and pets.”

Walter escalated the absurdity. On September 20, she wrote that this poster, too, had been censored because it “depicts violence and mentions violence and death” and was expected to “be constituted as a threat.” She added that UWS’s “threat assessment team,” in consultation with the university general counsel’s office, had made the decision. College of Arts, Humanities and Social Sciences Interim Dean Raymond Hayes then scheduled a meeting with Miller about “the concerns raised by the campus threat assessment team.”

Read the rest here at BigHollywood

by Liberty Chick

On his Wednesday show, Adam Carolla interviewed Andrew Breitbart to discuss Andrew’s new book, Righteous Indignation.  Let me assure you, you’ll LOVE this duo. Andrew’s been a guest on Carolla’s show before, but this was hands down the most entertaining so far.

Click for Audio:  http://www.mrctv.org/embed/101762

Check out some of the comments from Carolla’s regular listeners – not surprisingly, some aren’t exactly Breitbart fans (which makes it that much more enjoyable for me, at least).

Carolla tackled topics with Andrew on just about everything – from Righteous Indignation to Communism, the Left’s Racist meme, the racket of building permits and greenwashing, and unions, just to name a few.  And a whole lotta LA, which, as Andrew illustrates for us, ain’t what is used to be.  The two were on such a rant roll over our waning freedoms, Carolla, who has described himself as having libertarian leanings, almost sounded like another grassroots activist.  Who knows? Sounds like he may just have a bit of Presidential appeal.  Andrew certainly thought so!

“By the way, are you aware that the Republican Party has nobody running for the presidency right now, and if you had put that out there by mistake and people heard that, and that was your spiel, you would have gone up to Donald Trump level, you would have gone up to 17%?”

Oh yeah – Carolla’s also not a big fan of Maxine Waters.  Not. At. All.  Which reminds me, this audio is NSFW.

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[original post 8/4/2010]

Perhaps one of the most established venues for the medium of documentary filmmaking is the renowned Sundance Film Festival.  For decades, Robert Redford had already been calling Americans apathetic to political propaganda and to issues such as global warming.  Once George W. Bush got into office, Redford ratcheted up his rhetoric, and, like Soros, he even starting taking foreign relations into his own hands in some cases.

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And so it was no surprise when in 2002, Soros turned over stewardship of his documentary fund to Robert Redford and the Sundance Institute.

As Dr. David Yeagley, an American Indian author and political commentator wrote,

“On September 16, 2002, Robert Redford proudly announced at a press conference that he was launching a Sundance International Documentary Fund with $4.6 million in seed money from George Soros’ Open Society Institute (OSI). The new fund would underwrite films aimed at “promoting social justice and social change.” (more…)

[original post 7/26/2010]

George Soros, celebrity hedge fund billionaire and darling of the left, has been a busy man the last fifteen years.  While his capitalistic business ventures that began in the 1970s may have brought him his fortune and international financial fame, it’s his activities in the 1990’s that are having the most impact here in America today, on our television and Hollywood movie screens.

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We’re especially reminded of this in recent times, as we see the overabundance of falsely portrayed stories on film and video, and at the same time the complete absence of other stories from the mainstream view.

That’s no accident.

Soros gained his political reputation this last decade largely by staunchly opposing the Iraq war and publicly comparing former President George W. Bush to the Nazi Regime.  Drawing on his proclaimed expertise on Orwellian propaganda techniques and modern day mind-control marketing, George Soros once vowed to dismantle the conservative infrastructure, a pledge that hoisted him to the mantel of hero to the far-left wing of the Democratic Party.  By 2004,dozens and dozens of Soros’ political advocacy organizations had been erected and pumped full of millions of dollars aimed at evicting George W. Bush from the White House.

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[original post 6/6/2010]

A new hard-hitting documentary entitled, “The Lottery,” from director Madeleine Sackler premieres tomorrow, for one night only, in theaters across the country.  The focus of the film is the battle for the future of our nation’s children over education.

“In a country where 58% of African-American 4th graders are functionally illiterate, The Lottery uncovers the failures of the traditional public school system and reveals that hundreds of thousands of parents attempt to flee the system every year. The Lottery follows four of these families from Harlem and the Bronx who have entered their children in a charter school lottery. Out of thousands of hopefuls, only a small minority will win the chance of a better future.”

And at the core of that battle is a network of special interests; a coalition of community groups, labor unions, and politicians, all working together to hold onto power and control, while losing sight of the children; the future of our country.

The inner workings of such a web are little known or understood to most, even to some of those close to the system.  To understand how powerful this network is, first you need to be extremely observant.  And then, you need to go right to the source.  Within no time, many of the issues that stand in the way of reforming our public education system become as clear as the most perfect of ocean waters on a sunny day.

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